Video Essay Research

2022 Conference

2023 Conference

News

Dealing with Texts (Differently). The Essayistic from Virginia Woolf to the Video Essay
Oswald Iten: [SAFE] and THE NEON DEMON in dialogue (Updated)
Artikel zum Videoessay-Projekt in Der Landbote
Johannes Binotto: Practices of Viewing I – F.FWD
„Monograph“ Screening at La Casa Encendida
„Suspending Networks“ Workshop at the Ecole des Beaux-Arts de Marseille
„Cinéma Hybride“ panel at the Clermont-Ferrand International Short Film Festival
„Split Screens: Starving for Connection“
„Bottled Songs“ Q&A (Bellwether Film Series)
„Desktop | Essay“ Symposium at the Heinrich-Heine-University
C. Galibert-Laîné: What Scholarly Video Essays Feel Like (2020)
Masterclass: Chloé Galibert-Lainé
REPRODUCTION INTERDITE at FISURA Festival
FORENSICKNESS at Solothurner Filmtage
Videoessay-Panel at Solothurner Filmtage
Best video essays of 2020 poll
Chloé Galibert-Laîné: A very long exposure time
Interview with Chloé Galibert-Laîné on France Culture
Oswald Iten: Beyond the Catchy Tunes
Jialu Zhu: The Absent Father, Cultural Trauma
Chloé Galibert-Lainé on FORENSICKNESS and videographic research
Video Essay Workshop: Minor Instances, Major Consequences.
Johannes Binotto: Key/Frame
J. Binotto: In Lag of Knowledge. Video Essay as Parapraxis (2020)
Jialu Zhu e.a.: Subdue the Earth
Chloé Galibert-Laîné: Forensickness
Johannes Binotto: Trace
Johannes Binotto: Crossings
Johannes Binotto: Follow the Cat
Oswald Iten: The Age Of Emptiness
J. Binotto: Analyse in Bewegung: Videoessay als Zukunft der Filmkritik (2019)

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