The first image of „Hiroshima mon amour“ – a trace, asking for interpretation, resisting interpretation. Feeling for the facets of just this one image is personal, visceral. Never final.
Johannes Binotto: Trace
The first image of „Hiroshima mon amour“ – a trace, asking for interpretation, resisting interpretation. Feeling for the facets of just this one image is personal, visceral. Never final.
